{"product_id":"gallery-sound-ex-centrics-contemporary-sound-in-galleries","title":"Gallery Sound (Ex:Centrics) - Contemporary Sound in Galleries","description":"\u003cp\u003eIn this review of Gallery Sound (Ex:Centrics), the reviewer finds a thoughtful, compact exploration of how sound functions in contemporary exhibition spaces. The book is aimed at curators, artists and researchers who want a clear, critical account of why galleries are no longer quiet and how sound intersects with display, public programs and everyday gallery life. Its single biggest strength is a focused argument that situates sound as an active element in exhibitions, making it a useful reference for anyone seeking to understand or write about sonic practices in visual art contexts.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArgument-driven analysis:\u003c\/strong\u003e Presents a clear case that galleries have become noisy environments, which helps readers rethink assumptions about silence and display.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContextual history:\u003c\/strong\u003e Traces the shift from marginal sound practices to mainstream exhibition strategies, giving useful historical perspective for curators and students.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePractical relevance:\u003c\/strong\u003e Discusses how performances, talks and cafe noise affect the reception of works, helping practitioners plan and adapt shows.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCritical attention:\u003c\/strong\u003e Frames sound as integral to museum and gallery experience, encouraging deeper critical engagement rather than treating audio as incidental.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConcise focus:\u003c\/strong\u003e Keeps to a focused theme so readers can quickly absorb the core claim without wading through unrelated topics.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWho It's For\u003c\/h2\u003e\n\u003cp\u003eThis book is best for curators, artists working with sound, exhibition designers, and scholars in art history or sound studies who need a succinct, critical framing of how sound operates within gallery settings. It works well as a starting text for seminar reading or for a curator preparing a sound-inclusive exhibition.\u003c\/p\u003e\n\u003cp\u003eReaders looking for technical manuals on sound engineering, detailed installation instructions, or comprehensive surveys of every sound artist should look elsewhere; the focus here is critical and contextual rather than technical or encyclopedic.\u003c\/p\u003e\n\u003ch2\u003ePros \u0026amp; Cons\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClear thesis that reorients how one thinks about silence and noise in exhibition spaces.\u003c\/li\u003e\n\u003cli\u003eRelevant case-making for contemporary practice, useful to curators and educators.\u003c\/li\u003e\n\u003cli\u003eConcise writing that keeps the central argument in view and makes the book approachable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCons\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLimited scope: the treatment is analytical rather than a how-to guide, so it offers little on technical installation or audio engineering.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eTitle\u003c\/td\u003e\n\u003ctd\u003eGallery Sound (Ex:Centrics)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAuthor\u003c\/td\u003e\n\u003ctd\u003eCaleb Kelly\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSubject\u003c\/td\u003e\n\u003ctd\u003eSound in contemporary art and galleries\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eCritical history and exhibition context\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudience\u003c\/td\u003e\n\u003ctd\u003eCurators, artists, scholars\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eApproach\u003c\/td\u003e\n\u003ctd\u003eAnalytical and contextual rather than technical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch2\u003eOur Verdict\u003c\/h2\u003e\n\u003cp\u003eGallery Sound (Ex:Centrics) is a compact, timely study that convincingly argues sound is central to contemporary gallery experience; it is good value for curators, artists and students who need a critical framework for programming and interpreting sound work.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this book explain technical audio setup for exhibitions?\u003c\/strong\u003e\u003cbr\u003eNo, the book is focused on critical and contextual issues rather than technical installation guidance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWho benefits most from reading this book?\u003c\/strong\u003e\u003cbr\u003eCurators, artists working with sound, and scholars in art and sound studies will find the argument most useful.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs the scope global or localized?\u003c\/strong\u003e\u003cbr\u003eThe book frames general shifts in exhibition practice and is useful beyond any single regional context.\u003c\/p\u003e","brand":"Caleb Kelly","offers":[{"title":"Default Title","offer_id":48750379335899,"sku":"1501304372","price":143.45,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/1043\/1707\/files\/81BxePwlwIL._SL1500.jpg?v=1778962154","url":"https:\/\/gearmusthave.com\/products\/gallery-sound-ex-centrics-contemporary-sound-in-galleries","provider":"GearMustHave","version":"1.0","type":"link"}