{"product_id":"researching-live-music-scholarly-case-studies-and-global","title":"Researching Live Music - Scholarly Case Studies and Global","description":"\u003cp\u003eIn this review of Researching Live Music the book is presented as a focused, academic collection that will appeal to scholars, students and practitioners interested in the systems behind live performance. The single biggest reason to buy is its range of paradigmatic case studies that move beyond familiar Anglophone contexts to show how production, promotion, consumption and policy interact in live music scenes worldwide. This review considers methodology, coverage and practical relevance for research and teaching.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComparative case studies:\u003c\/strong\u003e The book brings together examples from Argentina, Australia, France, Jamaica, Japan and New Zealand to broaden comparative understanding of live music.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour-part structure:\u003c\/strong\u003e Organized into production, promotion, consumption and policy sections, the book helps readers trace processes across different stages of live music.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMethodological diversity:\u003c\/strong\u003e Contributors use varied theoretical and methodological positions, offering models for qualitative and mixed-method research in live music studies.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCritical perspective:\u003c\/strong\u003e Chapters interrogate how live music events connect to wider social and cultural issues, which is useful for policy-focused work.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eResource for teaching:\u003c\/strong\u003e The collection provides case material and critical discussion suitable for advanced undergraduate or postgraduate syllabuses in music studies and cultural policy.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWho It's For\u003c\/h2\u003e\u003cp\u003eResearching Live Music is best for academics, postgraduate students and cultural policymakers who need rigorous case studies and theoretical engagement with live music processes. The book is well suited to courses in live music studies, cultural policy, music sociology and event production where international perspectives are valued.\u003c\/p\u003e\u003cp\u003ePractitioners seeking step-by-step how-to instruction for concerts or tours should look elsewhere, as the book is analytical rather than a practical manual. Readers expecting a single unified methodology will also find the disciplinary variety intentional rather than inconsistent.\u003c\/p\u003e\u003ch2\u003ePros \u0026amp; Cons\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003ePros\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWide geographical scope expands knowledge beyond dominant US and UK examples.\u003c\/li\u003e\n\u003cli\u003eClear organizational sections make it straightforward to find material on production, promotion, consumption or policy.\u003c\/li\u003e\n\u003cli\u003eMethodological and theoretical range provides useful reference points for research design.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eCons\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eThe edited collection format means depth of detail varies by chapter, which may frustrate readers seeking uniform coverage.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eTitle\u003c\/td\u003e\n\u003ctd\u003eResearching Live Music\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditors\/Authors\u003c\/td\u003e\n\u003ctd\u003eChris Anderton, Sergio Pisfil\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoverage\u003c\/td\u003e\n\u003ctd\u003eCase studies from Argentina, Australia, France, Jamaica, Japan, New Zealand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus areas\u003c\/td\u003e\n\u003ctd\u003eProduction, Promotion, Consumption, Policy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eApproach\u003c\/td\u003e\n\u003ctd\u003eMethodological and theoretical diversity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIntended audience\u003c\/td\u003e\n\u003ctd\u003eScholars, postgraduate students, cultural policymakers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\u003ch2\u003eOur Verdict\u003c\/h2\u003e\u003cp\u003eResearching Live Music is a valuable academic collection for anyone studying the social and institutional dimensions of live performance. Its international case studies and clear four-part structure make it good value for research and teaching, though readers seeking uniform chapter depth or practical production guides should supplement it with technical resources.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDoes this book include international examples?\u003c\/strong\u003e\u003cbr\u003eYes. Chapters feature case studies from Argentina, Australia, France, Jamaica, Japan and New Zealand.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs the book practical for event producers?\u003c\/strong\u003e\u003cbr\u003eThe book is primarily analytical and geared to research and policy; it is not a step-by-step production manual.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWho edited this collection?\u003c\/strong\u003e\u003cbr\u003eThe volume is edited by Chris Anderton and Sergio Pisfil.\u003c\/p\u003e","brand":"Chris Anderton, Sergio Pisfil","offers":[{"title":"Default Title","offer_id":48175106261211,"sku":"0367405024","price":203.37,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/1043\/1707\/files\/61ZliTmcm7L._SL1200.jpg?v=1769074715","url":"https:\/\/gearmusthave.com\/products\/researching-live-music-scholarly-case-studies-and-global","provider":"GearMustHave","version":"1.0","type":"link"}