{"product_id":"right-angle-xlr-female-to-right-angle-1-4ft-ts-cable-150-ft-purple","title":"Right Angle XLR Female to Right Angle 1\/4ft TS Cable - 150 ft - Purple","description":"\u003cp\u003eIn this review of the Right Angle XLR Female to Right Angle 1\/4' TS cable, the bottom line is simple: this is a purpose-built audio link for performers and engineers who need a long, reliable run with minimal noise. The reviewer found it most useful for connecting microphones and balanced outputs to powered speakers, interfaces or mixers when a right angle 1\/4' TS termination is required. Its primary appeal is the combination of lengthy 150 ft reach and construction focused on noise rejection, which makes it a practical choice for live stages, rehearsal spaces and studio patching.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRight angle connectors:\u003c\/strong\u003e Both the XLR female and the 1\/4' TS right angle ends keep connectors low profile and reduce strain in tight stage or rack spaces.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLong run capability:\u003c\/strong\u003e The 150 ft length lets engineers place mics, DI boxes or speakers far from the console without swapping to lossy adapters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShielding and build:\u003c\/strong\u003e Twin conductive PVC shields, a 98% braided shield and cotton yarn wrap reduce outside interference for clearer signal transfer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGold plated contacts:\u003c\/strong\u003e Gold plating on contact points improves corrosion resistance and keeps connections dependable through repeated setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrain relief and durability:\u003c\/strong\u003e Molded strain relief at the connectors helps prevent cable fatigue in live rigging and frequent handling.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor-coded jacket:\u003c\/strong\u003e The purple jacket helps quickly identify this run among others on a busy stage or in the studio.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWho It's For\u003c\/h2\u003e\u003cp\u003eThis cable is aimed at gigging musicians, sound techs and studios that need a long, rugged interconnect to bridge microphones or balanced outputs to a 1\/4' TS input on powered speakers or interfaces. It serves well for house PA, school and church systems where cable length and noise rejection are priorities.\u003c\/p\u003e\u003cp\u003eIt is less suited to consumers who only need short patch cables or fully balanced TRS to XLR runs; those requiring a stereo TRS connection or ultra-compact instrument patching should look for a different cable type.\u003c\/p\u003e\u003ch2\u003ePros \u0026amp; Cons\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003ePros\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eClean signal over long distances thanks to twin shields and a 98% braided shield.\u003c\/li\u003e\n\u003cli\u003eDurable construction with gold plated contacts and strain relief for road use.\u003c\/li\u003e\n\u003cli\u003eRight angle connectors and colored jacket simplify stage routing and labeling.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eCons\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eUsing a 1\/4' TS on long runs can be less ideal than balanced TRS in some setups, so it is not a fully balanced XLR-to-TRS solution.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrand\u003c\/td\u003e\n\u003ctd\u003eCOLUBER CABLE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnector A\u003c\/td\u003e\n\u003ctd\u003eRight angle XLR female (3-pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnector B\u003c\/td\u003e\n\u003ctd\u003eRight angle 1\/4' TS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e150 ft\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShielding\u003c\/td\u003e\n\u003ctd\u003eTwin conductive PVC shields; 98% braided shield\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eContacts\u003c\/td\u003e\n\u003ctd\u003eGold plated contact points\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eJacket\u003c\/td\u003e\n\u003ctd\u003ePurple color for easy identification\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\u003ch2\u003eOur Verdict\u003c\/h2\u003e\u003cp\u003eThe Right Angle XLR Female to Right Angle 1\/4' TS 150 ft cable is a sensible pick for live sound and studio users who need a long, noise-resistant run with durable connectors and visible color-coding. It delivers good value for stage and PA rigs, though those who require fully balanced TRS lines should consider a different cable type.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eIs this cable suitable for stage use?\u003c\/strong\u003e\u003cbr\u003eYes. The braided shield, twin conductive shields and strain relief make it durable for repeated stage setups.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCan this cable carry a balanced signal?\u003c\/strong\u003e\u003cbr\u003eThe construction reduces interference, but the 1\/4' TS is an unbalanced termination; for fully balanced wiring choose a TRS or XLR to XLR cable.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy choose the colored jacket?\u003c\/strong\u003e\u003cbr\u003eThe purple jacket helps technicians quickly identify runs among many cables during setup and tear down.\u003c\/p\u003e","brand":"COLUBER CABLE","offers":[{"title":"Default Title","offer_id":48189313450203,"sku":"B09C15KJLL","price":120.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/1043\/1707\/files\/61B9DWr1UiL._SL1500.jpg?v=1769483457","url":"https:\/\/gearmusthave.com\/products\/right-angle-xlr-female-to-right-angle-1-4ft-ts-cable-150-ft-purple","provider":"GearMustHave","version":"1.0","type":"link"}