{"product_id":"round-room-double-180gm-colored-vinyl-lp-detailed","title":"Round Room Double 180gm Colored Vinyl LP - Detailed","description":"\u003cp\u003eIn this review of Round Room, the double 180gm colored vinyl LP from Jemp Records, the bottom line is simple: this pressing is for listeners who want a warm, collectible vinyl presentation of a loose, live-feeling studio session. Our review finds the package delivers on fidelity and tactile appeal, with a gatefold jacket and heavyweight discs that emphasize analogue warmth and presence. Fans of extended jams and the songwriting partnership that drove these sessions will find the pressing a faithful, enjoyable way to revisit performances recorded at The Barn in Vermont in October 2002.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eDouble 180gm colored vinyl:\u003c\/strong\u003e Heavier discs reduce resonance and enhance surface noise control for a more stable playback experience on most turntables.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eGatefold jacket:\u003c\/strong\u003e The sturdy gatefold houses both discs and adds a collectible, archival feel that protects artwork and sleeves during storage.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eHistoric recording sessions:\u003c\/strong\u003e The album captures performances recorded over two weekends in October 2002 at The Barn, giving the music a spontaneous, rehearsal-like energy.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eNotable mastering chain:\u003c\/strong\u003e The 2024 lacquers were cut by Chris Bellman at Bernie Grundman, which preserves dynamics while respecting the original Fred Kevorkian mastering.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eExtended tracks included:\u003c\/strong\u003e Several longer pieces such as Pebbles And Marbles, Seven Below, Walls Of The Cave, and Waves showcase improvisational interplay and sustained performances.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eSongwriting credits:\u003c\/strong\u003e The material is mainly written by Trey Anastasio and Tom Marshall, with the title track and Mock Song by Mike Gordon, offering a variety of compositional voices.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWho It's For\u003c\/h2\u003e\n\u003cp\u003eRound Room on double 180gm colored vinyl is aimed at collectors and listeners who value tactile, analogue formats and the character of performances captured in a loose studio environment. Those who enjoy extended rock jams and a more organic, live-in-studio sound will appreciate the sequencing and the way the pressing presents low-end and midrange warmth.\u003c\/p\u003e\n\n\u003cp\u003eListeners who prefer pristine, modern digital clarity or who need compact portability should look elsewhere; this pressing is about texture, presence, and the collectible nature of heavyweight vinyl rather than digital convenience. Turntable owners with a decent cartridge and tonearm setup will get the most from this release.\u003c\/p\u003e\n\n\u003ch2\u003ePros \u0026amp; Cons\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n \u003cli\u003eHigh-mass 180gm discs improve tracking stability and deliver a rich analogue warmth on playback.\u003c\/li\u003e\n \u003cli\u003eGatefold packaging makes the release collectible and preserves artwork and liner notes cleanly.\u003c\/li\u003e\n \u003cli\u003eSessions recorded at The Barn convey a loose, authentic performance energy that suits the material.\u003c\/li\u003e\n \u003cli\u003e2024 lacquers cut by Chris Bellman at Bernie Grundman retain dynamics while honoring the original mastering.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCons\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n \u003cli\u003eColored vinyl can sometimes show more surface noise than traditional black pressings, so sound cleanliness depends on manufacturing and handling.\u003c\/li\u003e\n \u003cli\u003eExtended tracks mean longer groove runs that may demand careful cartridge setup to avoid mistracking on some entry-level turntables.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003ctable\u003e\n \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eDouble LP\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eVinyl weight\u003c\/td\u003e\n\u003ctd\u003e180gm\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eColored vinyl\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003ePackaging\u003c\/td\u003e\n\u003ctd\u003eGatefold jacket\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eRecording location\u003c\/td\u003e\n\u003ctd\u003eThe Barn, Vermont\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eRecording dates\u003c\/td\u003e\n\u003ctd\u003eOctober 2002 (four days over two weekends)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eMastering\u003c\/td\u003e\n\u003ctd\u003eInitial mastering by Fred Kevorkian; 2024 lacquers cut by Chris Bellman at Bernie Grundman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eOur Verdict\u003c\/h2\u003e\n\u003cp\u003eFor fans of extended rock jams and collectors who prize heavyweight, well-packaged vinyl, Round Room is a worthwhile purchase that balances authentic performance feel with a tactile, archival presentation. It offers good value to those who will play it on a properly set-up turntable and appreciate the historical context of the 2002 sessions.\u003c\/p\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eIs this a remaster or original master?\u003c\/strong\u003e\u003cbr\u003eThe album uses the original mastering by Fred Kevorkian for the release history, with 2024 lacquers cut by Chris Bellman at Bernie Grundman for the vinyl pressing.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eHow many discs are included?\u003c\/strong\u003e\u003cbr\u003eThis release is a double LP set, pressed on 180gm colored vinyl and housed in a gatefold jacket.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWill colored vinyl affect playback quality?\u003c\/strong\u003e\u003cbr\u003eColored vinyl can sometimes be slightly more prone to audible surface noise than black vinyl, but the 180gm weight and careful lacquer cutting help maintain strong playback fidelity.\u003c\/p\u003e","brand":"Jemp Records","offers":[{"title":"Default Title","offer_id":48654299201755,"sku":"B0CQKHNHQL","price":49.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/1043\/1707\/files\/91D2IM5GMDL._SL1500.jpg?v=1778724442","url":"https:\/\/gearmusthave.com\/products\/round-room-double-180gm-colored-vinyl-lp-detailed","provider":"GearMustHave","version":"1.0","type":"link"}