{"product_id":"rumour-and-radiation-sound-in-video-art-in-depth","title":"Rumour and Radiation: Sound in Video Art - In-Depth","description":"\u003cp\u003eIn this review Paul Hegarty's Rumour and Radiation: Sound in Video Art is assessed as a thoughtful, historically minded book for readers who want to understand how sound reshaped video art. The single biggest reason to buy is its clear thesis that sound first entered the gallery via 1960s video work and produced an unexpected noise that rewrites familiar art narratives. The tone is analytical rather than introductory, and the book is best approached as a critical study rather than a how-to or survey for casual browsing.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHistorical thesis:\u003c\/strong\u003e Traces the moment sound entered gallery practice via 1960s video art, giving readers a focused argumentative through-line.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClose readings:\u003c\/strong\u003e Offers detailed analysis of specific video works, helping readers see how sound functions within individual pieces.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist case studies:\u003c\/strong\u003e Examines a range of artists including Steve McQueen, Christian Marclay, Ryan Trecartin, and Jane and Louise Wilson to show varied strategies.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntermedia and synaesthesia:\u003c\/strong\u003e Connects disparate works with the twin ideas of intermedia and synaesthesia to frame cross-sensory practice.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriod coverage:\u003c\/strong\u003e Moves from the formative 1960s into the mid-1990s to trace the transition of video art from a marginal to an embedded contemporary form.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWho It's For\u003c\/h2\u003e\n\u003cp\u003eThis book is aimed at students, curators, and practitioners who already have a basic familiarity with contemporary art and wish to explore sound's disruptive role within video art. Its close readings and theoretical framing make it suited to seminar discussion, course reading lists, and curatorial research where nuance and historical argument matter.\u003c\/p\u003e\n\u003cp\u003eReaders seeking a general introduction to sound art or a richly illustrated coffee-table survey should look elsewhere; this is not a catalogue or a simple primer, but a critical, text-driven study best read with attention to theory and case examples.\u003c\/p\u003e\n\u003ch2\u003ePros \u0026amp; Cons\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClear, focused thesis that reframes the entry of sound into gallery practice through video art.\u003c\/li\u003e\n\u003cli\u003eWell-chosen artist examples that demonstrate different strategies and developments across decades.\u003c\/li\u003e\n\u003cli\u003eAnalytical close readings that reward readers interested in interpretation rather than just description.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCons\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNot intended as an introductory survey; readers without prior context in contemporary art theory may find the prose demanding.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eTitle\u003c\/td\u003e\n\u003ctd\u003eRumour and Radiation: Sound in Video Art\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAuthor\u003c\/td\u003e\n\u003ctd\u003ePaul Hegarty\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSubject\u003c\/td\u003e\n\u003ctd\u003eVideo art and sound art history\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePeriods covered\u003c\/td\u003e\n\u003ctd\u003e1960s to mid-1990s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eArtists discussed\u003c\/td\u003e\n\u003ctd\u003eSteve McQueen; Christian Marclay; Ryan Trecartin; Jane and Louise Wilson\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eKey concepts\u003c\/td\u003e\n\u003ctd\u003eIntermedia; synaesthesia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch2\u003eOur Verdict\u003c\/h2\u003e\n\u003cp\u003eRumour and Radiation is a focused, rewarding study for readers who want to rethink the role of sound within video art through rigorous argument and close readings. It represents good value for students, researchers, and curators who need a critical perspective on intermedia practices, though casual readers seeking broad overviews may prefer a different book.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this book cover contemporary video artists?\u003c\/strong\u003e\u003cbr\u003eYes, it moves from early video art in the 1960s through to the mid-1990s and discusses contemporary figures within that range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs this a practical guide to making sound art?\u003c\/strong\u003e\u003cbr\u003eNo, the book is a critical and historical study rather than a how-to manual for practitioners.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWill the book help curators?\u003c\/strong\u003e\u003cbr\u003eYes, its theoretical framing and close readings are useful for curatorial research and exhibition planning.\u003c\/p\u003e","brand":"Paul Hegarty","offers":[{"title":"Default Title","offer_id":48607598280923,"sku":"1623564131","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/1043\/1707\/files\/61ClwaXi08L._SL1500.jpg?v=1778579257","url":"https:\/\/gearmusthave.com\/products\/rumour-and-radiation-sound-in-video-art-in-depth","provider":"GearMustHave","version":"1.0","type":"link"}