{"product_id":"the-global-music-industry-concise-intro-to-world-music-business","title":"The Global Music Industry - Concise Intro to World Music Business","description":"\u003cp\u003eOur review of The Global Music Industry finds it to be a compact, classroom-ready guide for anyone who needs a clear introduction to how the music marketplace functions outside the U.S. Written as a concise overview rather than an exhaustive treatise, this book is best for students, early-career professionals, and performers who want an accessible survey of international issues; its single biggest reason to buy is its focused coverage of region-specific topics like bootlegging, copyright, censorship, and government support that are rarely collected in one place.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eGlobal perspective:\u003c\/strong\u003e Provides an overview of the music business around the world so readers can compare practices and policies across regions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRegion-by-region focus:\u003c\/strong\u003e Breaks down global issues by region, making it easier to understand how local conditions affect music markets.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePractical issue coverage:\u003c\/strong\u003e Discusses concrete topics such as bootlegging, copyright, and censorship that directly impact day-to-day industry decisions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntroductory design:\u003c\/strong\u003e Structured for an introductory music business course, making it accessible to students and newcomers without prior experience.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eResource value:\u003c\/strong\u003e Acts as a standard resource for students, professionals, and musicians who need a concise, single-volume briefing on international industry concerns.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWho It's For\u003c\/h2\u003e\u003cp\u003eThis book is aimed at students taking an introductory course in music business and at professionals-label staff, managers, and publishers-seeking a broad, comparative look at non-U.S. markets. Musicians who perform or tour internationally will also find the regional discussions useful for practical planning.\u003c\/p\u003e\u003cp\u003eReaders who require exhaustive legal detail, deep market data, or country-by-country statistics should look elsewhere, as the book is intentionally concise and designed to survey key issues rather than serve as an in-depth legal manual or market report.\u003c\/p\u003e\u003ch2\u003ePros \u0026amp; Cons\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003ePros\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eConcise summary of international music market issues that is easy to assign in a course syllabus.\u003c\/li\u003e\n\u003cli\u003eCovers a wide range of practical topics such as piracy and censorship that affect industry strategy.\u003c\/li\u003e\n\u003cli\u003eUseful for cross-regional comparison, helping readers see patterns and differences between markets.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eCons\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eNot a substitute for detailed legal guidance or comprehensive market statistics in specific countries.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eTitle\u003c\/td\u003e\n\u003ctd\u003eThe Global Music Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAuthors\u003c\/td\u003e\n\u003ctd\u003eArthur Bernstein, Naoki Sekine, Dick Weissman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIntended audience\u003c\/td\u003e\n\u003ctd\u003eStudents, professionals, musicians\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eInternational music marketplace and issues by region\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eKey topics\u003c\/td\u003e\n\u003ctd\u003eBootlegging, copyright, censorship, government support\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUse case\u003c\/td\u003e\n\u003ctd\u003eIntroductory music business course or professional overview\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\u003ch2\u003eOur Verdict\u003c\/h2\u003e\u003cp\u003eThe Global Music Industry is a well-judged, economical overview that belongs on the reading list for introductory music business classes and in the hands of professionals who need a broad view of non-U.S. markets. It delivers clear, region-focused discussions of practical issues and represents good value for readers seeking a single-volume survey rather than a specialist legal or market reference.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eIs this book suitable for classroom use?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for introductory courses and works well as a concise textbook or assigned background reading.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDoes it cover legal details like copyright law?\u003c\/strong\u003e\u003cbr\u003eIt discusses copyright as a key topic but does not replace detailed legal advice; it is a survey rather than a legal manual.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWho benefits most from this book?\u003c\/strong\u003e\u003cbr\u003eStudents, music industry professionals, and touring performers who need a comparative view of global music industry issues benefit most.\u003c\/p\u003e","brand":"Arthur Bernstein, Naoki Sekine, Dick Weissman","offers":[{"title":"Default Title","offer_id":48778591961307,"sku":"0415975794","price":190.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/1043\/1707\/files\/61hzYaYN_QL._SL1500.jpg?v=1778923784","url":"https:\/\/gearmusthave.com\/products\/the-global-music-industry-concise-intro-to-world-music-business","provider":"GearMustHave","version":"1.0","type":"link"}