{"product_id":"verse-drama-in-england-1900-2015-art-modernity-and-the-national","title":"Verse Drama in England, 1900-2015: Art, Modernity and the National","description":"\u003cp\u003eIn this review of Verse Drama in England, 1900-2015 the reviewer finds a focused scholarly study best suited to readers curious about the evolution of modern English verse drama. Irene Morra traces a continuous, often underappreciated tradition from the turn of the twentieth century into the twenty-first, arguing that verse drama is not merely a historical curiosity but an active site of theatrical innovation. The book is recommended for students, researchers, and practitioners seeking a rigorous historical and critical account rather than a beginner's primer.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHistorical scope:\u003c\/strong\u003e Covers developments from 1900 through 2015, giving readers a long view of how verse drama evolved over a century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCritical argument:\u003c\/strong\u003e Challenges assumptions that verse drama is marginal by showing its recurring attempts to revitalize the English stage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthoritative case studies:\u003c\/strong\u003e Examines dramatists such as Stephen Phillips, Gordon Bottomley, John Masefield and T. S. Eliot to illustrate varied approaches within the form.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterdisciplinary perspective:\u003c\/strong\u003e Considers contributions from literary writers, directors and musicians to map verse drama's diverse theatrical engagement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEmphasis on modernity:\u003c\/strong\u003e Focuses on how verse drama responded to and shaped modern theatrical aesthetics at key moments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWho It's For\u003c\/h2\u003e\n\u003cp\u003eThis book is aimed at graduate students, scholars of drama and modern literature, and theatre practitioners interested in the historical and critical grounding of a specific dramatic form. Readers who want thorough analysis and archival awareness will appreciate Irene Morra's close readings and historical framing.\u003c\/p\u003e\n\u003cp\u003eIt is less suitable for casual readers seeking playtexts or a beginner's overview of theatre history, and those looking for performance-oriented how-to guidance should look elsewhere. The book assumes some prior familiarity with literary history and dramatic terminology.\u003c\/p\u003e\n\u003ch2\u003ePros \u0026amp; Cons\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProvides a sustained, corrective historical narrative that elevates the status of modern verse drama.\u003c\/li\u003e\n\u003cli\u003eDraws on a broad range of writers and collaborators to demonstrate the form's theatrical reach.\u003c\/li\u003e\n\u003cli\u003eOffers close critical readings that will support further scholarly research and coursework.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCons\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNot intended as a collection of playtexts or practical staging guidance, which limits its appeal to practitioners seeking scripts or production advice.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eTitle\u003c\/td\u003e\n\u003ctd\u003eVerse Drama in England, 1900-2015: Art, Modernity and the National Stage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAuthor\u003c\/td\u003e\n\u003ctd\u003eIrene Morra\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSubject\u003c\/td\u003e\n\u003ctd\u003eHistory \u0026amp; Criticism of English verse drama\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChronological range\u003c\/td\u003e\n\u003ctd\u003e1900-2015\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eModern verse drama, theatrical and literary engagement\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNotable dramatists discussed\u003c\/td\u003e\n\u003ctd\u003eStephen Phillips, Gordon Bottomley, John Masefield, James Elroy Flecker, T. S. Eliot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch2\u003eOur Verdict\u003c\/h2\u003e\n\u003cp\u003eVerse Drama in England, 1900-2015 is a focused, well-argued study that repositions verse drama within modern theatrical history; it is a strong purchase for scholars and advanced students who need a sustained critical narrative and case studies rather than a beginner's introduction or practical staging manual.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this book include playtexts?\u003c\/strong\u003e\u003cbr\u003eThe focus is critical and historical, so it offers analysis and discussion rather than providing full playtexts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs prior knowledge of theatre required?\u003c\/strong\u003e\u003cbr\u003eSome familiarity with literary and theatrical history is helpful, as the book is written for a scholarly audience rather than casual readers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich playwrights are covered?\u003c\/strong\u003e\u003cbr\u003eThe study examines a range of figures including Stephen Phillips, Gordon Bottomley, John Masefield, James Elroy Flecker and T. S. Eliot among others.\u003c\/p\u003e","brand":"Irene Morra","offers":[{"title":"Default Title","offer_id":48608964346075,"sku":"1472580141","price":156.56,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/1043\/1707\/files\/81cPXy1mlWL._SL1500.jpg?v=1778359406","url":"https:\/\/gearmusthave.com\/products\/verse-drama-in-england-1900-2015-art-modernity-and-the-national","provider":"GearMustHave","version":"1.0","type":"link"}