{"product_id":"yoruba-oral-tradition-in-islamic-nigeria-cultural-performance","title":"Yoruba Oral Tradition in Islamic Nigeria - Cultural Performance","description":"\u003cp\u003eIn this review of Yoruba Oral Tradition in Islamic Nigeria the bottom line is clear: this is a focused scholarly study best suited to readers interested in the intersection of Yoruba performance and Islam. Abdul-Rasheed Na'Allah traces the history and artistic vision of \u003cstrong\u003eDadakuada\u003c\/strong\u003e, making a convincing case for its prominence as the most popular traditional Yoruba oral art form in Islamic Africa. The book's detailed attention to Ilorin, linguistic practice, and performance techniques makes it essential reading for specialists rather than casual readers.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHistorical context:\u003c\/strong\u003e The book situates Dadakuada within Ilorin's history, helping readers understand the social forces that shaped the genre.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePerformance analysis:\u003c\/strong\u003e Close discussion of performance techniques clarifies how singers construct songs and engage audiences in Islamic communities.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCultural identity:\u003c\/strong\u003e The author examines the genre's role in Yoruba identity, showing how music carries communal memory and meaning.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReligion and adaptation:\u003c\/strong\u003e Detailed coverage of the relationship with Islam explains how Dadakuada accommodates religious norms while surviving as a traditional form.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScholarly focus:\u003c\/strong\u003e The book speaks directly to researchers in African art, performance studies, and Islam in Africa, offering material suitable for citation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWho It's For\u003c\/h2\u003e\n\u003cp\u003eThis book is aimed at scholars, graduate students, and advanced undergraduates studying African oral traditions, ethnomusicology, or Islam in West Africa; it assumes an interest in detailed cultural and performance analysis. It is particularly useful for researchers focusing on Ilorin or Yoruba musical genres and for readers who value close textual and contextual study.\u003c\/p\u003e\n\u003cp\u003eThose seeking a general introduction to Yoruba music or a richly illustrated coffee-table book should look elsewhere; the tone is academic and the emphasis is analytical rather than pictorial or introductory.\u003c\/p\u003e\n\n\u003ch2\u003ePros \u0026amp; Cons\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThorough historical grounding that clarifies Dadakuada's evolution within Ilorin society.\u003c\/li\u003e\n\u003cli\u003eInsightful discussion of \u003cstrong\u003eperformance techniques\u003c\/strong\u003e that helps scholars interpret recordings and live practice.\u003c\/li\u003e\n\u003cli\u003eClear treatment of how the genre negotiates Islamic norms, offering nuance beyond simple secular\/religious divides.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCons\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcademic tone and focus may feel dense for casual readers; it is not a popular overview.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eTitle\u003c\/td\u003e\n\u003ctd\u003eYoruba Oral Tradition in Islamic Nigeria\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAuthor\u003c\/td\u003e\n\u003ctd\u003eAbdul-Rasheed Na'Allah\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrimary subject\u003c\/td\u003e\n\u003ctd\u003eDadakuada oral tradition and performance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRegional focus\u003c\/td\u003e\n\u003ctd\u003eIlorin and Islamic Nigeria\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDisciplinary interest\u003c\/td\u003e\n\u003ctd\u003eAfrican culture, performance studies, Islam in Africa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIntended audience\u003c\/td\u003e\n\u003ctd\u003eScholars and students\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eOur Verdict\u003c\/h2\u003e\n\u003cp\u003eYoruba Oral Tradition in Islamic Nigeria is a valuable, well-researched study for academics interested in \u003cstrong\u003eDadakuada\u003c\/strong\u003e and the interplay of performance and Islam in Ilorin. It delivers rigorous analysis and contextual depth, making it good value for researchers and graduate students despite a tone that limits casual appeal.\u003c\/p\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the book focus on a single town or a wider region?\u003c\/strong\u003e\u003cbr\u003eThe study foregrounds Ilorin as the central site for Dadakuada while linking the genre to broader Islamic Yoruba contexts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs this suitable for non-specialists?\u003c\/strong\u003e\u003cbr\u003eIts academic style and in-depth analysis make it better suited to scholars and students than casual readers seeking a general overview.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the book address the relationship with Islam?\u003c\/strong\u003e\u003cbr\u003eYes, it specifically examines how Dadakuada singers accommodate Islamic practices, which is a core theme of the work.\u003c\/p\u003e","brand":"Abdul-Rasheed Na'Allah","offers":[{"title":"Default Title","offer_id":48257267597531,"sku":"0367260328","price":68.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/1043\/1707\/files\/51-z_Bh2s-L._SL1400.jpg?v=1770993998","url":"https:\/\/gearmusthave.com\/products\/yoruba-oral-tradition-in-islamic-nigeria-cultural-performance","provider":"GearMustHave","version":"1.0","type":"link"}