Acting with Grotowski - Essential Practitioner Zbigniew
Acting with Grotowski - Essential Practitioner Zbigniew
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Our review of Acting with Grotowski finds it indispensable for actors and theatre researchers seeking direct, practice-based insight into Jerzy Grotowski's Laboratory Theatres. Written by Zbigniew Cynkutis, a principal actor from Grotowski's company, the book's single biggest strength is its primary-source perspective that translates long-term rehearsal practice into clear, applicable guidance for performance work. This review focuses on how Cynkutis frames technical craft alongside the philosophy of the Laboratory, making the volume particularly useful for practitioners who want concrete methods rather than only academic interpretation.
Key Features
- Primary testimony: Firsthand accounts from one of Grotowski's most accomplished actors provide direct insight into the director's methods and rehearsal dynamics.
- Practical guidance: The writing distills theatre research into actionable techniques that professional and aspiring actors can apply in preparation and performance.
- Laboratory Theatre focus: Detailed reflection on the Laboratory Theatres praxis sheds light on exercises and approaches used during the theatre of productions phase.
- Contextual depth: Long-term research and experience inform the narrative, offering historical and methodological framing for Grotowski's work.
- Accessible voice: Cynkutis's sincere and direct style makes complex practices readable for English-speaking audiences without losing nuance.
Who It's For
This book is best for acting students, theatre practitioners, directors, and scholars who want practical theatre techniques rooted in primary experience. Those actively engaged in ensemble training or experimental rehearsal will find the descriptions of exercises and actor-director relationships particularly relevant.
Readers looking for a broad history of 20th century theatre or a fully theoretical textbook may need supplemental sources, since the value here lies in first-person testimony and practice-led insight rather than comprehensive historiography.
Pros & Cons
Pros
- Offers unique primary-source material that illuminates Grotowski's rehearsal methods.
- Translates long-term theatre research into usable acting advice for professionals and students.
- Cynkutis's clear, direct voice makes demanding material approachable for English speakers.
Cons
- Not a comprehensive theoretical survey; readers seeking wide-ranging history should pair it with other texts.
Specifications
| Title | Acting with Grotowski |
| Author(s) | Zbigniew Cynkutis, Paul Allain, Khalid Tyabji |
| Perspective | Firsthand testimony from a Laboratory Theatres actor |
| Focus | Theatre of productions phase and Laboratory praxis |
| Audience | Professional and aspiring actors, theatre researchers |
| Language | English-speaking readership |
Our Verdict
Acting with Grotowski is a valuable, practice-oriented resource that brings rare primary material to English readers. It is good value for actors and directors seeking concrete methods from the Laboratory Theatres, and for scholars who want direct testimony rather than secondhand analysis. Those seeking exhaustive historical scope should supplement it, but for hands-on craft and insider perspective it stands out.
Frequently Asked Questions
Is this book based on direct experience with Grotowski?
Yes. The text draws on Zbigniew Cynkutis's firsthand work as an actor within Grotowski's company and long-term theatre research.
Who benefits most from reading it?
Actors, directors, and rehearsal leaders interested in ensemble practice and Laboratory-style techniques will gain the most practical insight.
Does it serve as a full historical overview of Grotowski?
No. It emphasizes primary testimony and practical guidance rather than a comprehensive history, so pairing it with broader studies is recommended.
Editor's Take
Acting with Grotowski offers rare primary testimony and practical techniques from Zbigniew Cynkutis, making it a valuable, practice-oriented resource for actors, directors, and theatre researchers.

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