Bloch Women's Jason Samuels Smith Tap Dance Shoe - Leather Comfort
Bloch Women's Jason Samuels Smith Tap Dance Shoe - Leather Comfort
Price subject to change. Tap below for current.
Couldn't load pickup availability
In this review the Bloch Women's Jason Samuels Smith Dancing Shoe for Tap Dance is evaluated for serious tap dancers who need a precise, reliable performance shoe. The bottom line: this model is built specifically to produce clear, crisp taps while offering a supportive arch and leather durability that suits regular rehearsals and stage work. The reviewer found the shoe best for dancers prioritizing sound quality and foot support, and notes sizing trends and weight impressions reported by customers.
Key Features
- Tap specific construction: Engineered to maximise tap plate contact with the floor, producing clear and precise sounds essential for tap technique.
- Supportive arch: The shoe includes a supportive arch design that helps maintain proper foot alignment and reduces strain during extended practice.
- Comfortable and flexible: A stable absorbing heel reduces impact on feet and joints during high-impact steps and allows more comfortable rehearsal sessions.
- Durable leather upper: High-quality leather construction stands up to frequent use and gradually conforms to the foot for a secure fit.
- Canvas and Kashmir lining: Interior materials provide added comfort against the foot for longer wear without excessive rubbing.
- Stylish versatility: Sleek design fits both stage and rehearsal settings and is available in multiple colours to match personal style.
Who It's For
This shoe is aimed at intermediate to advanced tap dancers and teachers who need a reliable shoe that emphasises sound clarity and support. Performers who rely on crisp, audible taps in class, theatre work, or recording will appreciate the deliberate plate contact and leather construction.
Less suitable for dancers who require wide or very roomy lasts, as multiple customers reported the sizing runs small; those prioritising an ultra-lightweight shoe may find mixed reports about perceived weight and should try them on before committing.
Pros & Cons
Pros
- Excellent sound quality from design that maximises tap contact for crisp, loud taps.
- Supportive arch helps maintain alignment and reduces foot strain during long routines.
- Durable leather upper that conforms over time for a secure, long-lasting fit.
- Comfortable interior with canvas and Kashmir lining and an absorbing heel for impact reduction.
Cons
- Sizing runs small for multiple customers, so many will need to order a half or full size up.
- Weight impressions are mixed; some find the shoe heavier than expected for a dance flat.
Specifications
| Primary use | Tap dance |
| Upper material | Leather |
| Interior lining | Canvas and Kashmir |
| Heel | Absorbing stable heel for impact reduction |
| Design focus | Maximum tap plate contact for crisp sound |
| Support | Supporting arch for foot alignment |
Our Verdict
The Bloch Jason Samuels Smith tap shoe is a strong choice for dancers who need consistent, clear tap sound and dependable foot support. Its leather build and comfort features make it a worthwhile investment for regular performers and teachers, provided buyers check sizing carefully since it tends to run small.
Frequently Asked Questions
Do these shoes run true to size?
Many customers report the sizing runs small, so try a half or full size up if you prefer room or have wider feet.
Are these shoes comfortable for long rehearsals?
Yes; canvas and Kashmir lining plus an absorbing heel improve comfort, though initial break-in is typical for leather uppers.
Do they produce loud, clear taps?
Yes; the shoe is engineered to maximise tap plate contact, yielding crisp and precise sound for performance.
Editor's Take
The Bloch Jason Samuels Smith tap shoe delivers crisp, reliable tap sound and good arch support, making it a strong choice for regular performers; buyers should size up due to small runs.

Recently viewed
Recently viewed products will appear here as customers browse the store.