CAD Audio E100SX Large Diaphragm Supercardioid Condenser Microphone
CAD Audio E100SX Large Diaphragm Supercardioid Condenser Microphone
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Our review of the CAD Audio E100SX finds a microphone aimed at project studios and live performers who want a warm, vintage vocal and instrument character without sacrificing modern control. The biggest reason to buy is its large gold-sputtered diaphragm, which produces a true-to-life vintage tone that sits well in mixes and helps vocals cut through while maintaining warmth. Built-in tools such as a 100 Hz hi-pass filter and a switchable 10 dB pad give the E100SX practical flexibility for louder sources, and the included low-profile studio shock mount helps keep recordings clean.
Key Features
- Large gold-sputtered diaphragm: Delivers a warm, vintage character that flatters vocals and acoustic instruments with a natural midrange presence.
- Supercardioid polar pattern: Provides strong off-axis rejection to reduce bleed and improve isolation on stage or in dense mix environments.
- 100 Hz hi-pass filter: Lets users reduce rumble and proximity boom quickly, making it easier to capture clear low end.
- Switchable 10 dB pad: Allows the mic to handle high-SPL sources such as loud guitar cabs and drums without distortion.
- Low-profile studio shock mount: Isolates stand bumps and floor vibrations for cleaner takes without needing an extra accessory.
- Balanced XLR output: Integrates cleanly with pro audio consoles and preamps for reliable studio and stage use.
Who It's For
The E100SX is best for home studio owners, gigging vocalists, and session musicians who want a microphone with a classic, tube-like warmth but still need practical features like a pad, hi-pass filter, and robust mounting. Its supercardioid capsule makes it a good choice for live situations where bleed and feedback control matter.
Those who need ultra-low self-noise for very quiet studio work or buyers who expect flawless long-term durability should consider alternatives or test build quality first, as customer feedback on noise and longevity is mixed.
Pros & Cons
Pros
- Rich, vintage sound from the large gold-sputtered diaphragm that works well on vocals and acoustic instruments.
- Excellent off-axis rejection thanks to the supercardioid pattern, improving isolation in live and crowded studio setups.
- Practical controls-hi-pass filter and 10 dB pad-make the mic versatile for many recording situations.
- Built-in low-profile shock mount reduces stand and floor noise without extra accessories.
Cons
- Build quality reports are mixed, with some users experiencing early failures, so durability may vary.
- Self-noise impressions vary among users, so those requiring the lowest possible noise floor should audition first.
Specifications
| Brand | CAD Audio |
| Capsule | Large gold-sputtered diaphragm |
| Polar Pattern | Supercardioid |
| Controls | 100 Hz hi-pass filter, switchable 10 dB pad |
| Mounting | Low-profile studio shock mount (built-in) |
| Output | Balanced XLR |
Our Verdict
The CAD Audio E100SX is a strong value for musicians and small studios seeking a warm, vintage-sounding condenser with practical modern features. It pairs desirable sonic color with a useful pad, hi-pass filter, and integrated shock mount, making it versatile for stage and studio. Buyers prioritizing absolute build consistency or the very lowest self-noise should audition before purchase, but for many users the E100SX delivers great tone and flexibility at a reasonable price.
Frequently Asked Questions
Does it include a shock mount?
Yes, the mic is housed in a low-profile studio shock mount that reduces stand and floor vibrations.
Can it handle loud sources?
Yes, the switchable 10 dB pad allows the microphone to handle high-SPL sources with reduced risk of distortion.
Is the polar pattern good for live use?
Yes, the supercardioid pattern provides strong off-axis rejection, which helps control bleed and feedback on stage.
Editor's Take
The CAD Audio E100SX delivers warm, vintage-sounding vocals and instruments with useful controls and built-in shock mounting, making it a solid value for project studios and live performers, though build consistency and self-noise vary by unit.

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