Classical Drawing Course by Josephine Ducollet - Restored Edition

In this review of the Modeles Classiques Nouvelle Edition by Josephine Ducollet, the reviewer finds a focused, traditionally grounded drawing course aimed squarely at students who want to learn classical technique. The book is presented as a restored edition that revives a 19th-century French training sequence, and its single biggest reason to buy is the structured, time-tested progression from copying plates and masters to cast studies and live figure work, which makes it an excellent reference for serious beginners and intermediate artists seeking classical foundations.

Key Features

• Restored classical curriculum: The book restores Josephine Ducollet's sequence of exercises so readers follow a clear progression from copying plates to figure drawing, reinforcing traditional observational skills.
• Emphasis on classical plates: Reproductions of classical art plates give students concrete examples to copy, helping train accurate line, proportion, and visual memory.
• Covers multiple study stages: The course explicitly includes copying Old Masters, drawing classical casts and busts, and drawing live models, providing a rounded plan for studio practice.
• Historical French approach: The restored edition preserves the 19th-century French teaching sequence, useful for anyone wanting authentic classical pedagogy.
• Suitable for serious study: The presentation and structure are intended for committed students who will work through disciplined exercises rather than casual hobbyists.

Who It's For

The Modeles Classiques course is best for art students and dedicated hobbyists who want to learn the traditional French atelier method, especially those familiar with Bargue or Julien courses who are looking to expand their study with a less common curriculum. It is valuable as a studio guide for instructors who teach classical drawing and want a historical sequence to assign.

It is less well suited to casual sketchers or artists seeking contemporary theory-driven lessons; those looking primarily for modern styles, abstraction, or quick-start tutorials should consider other resources that focus on contemporary approaches rather than classical plate and cast study.

Pros & Cons

Pros

• Restored historical content preserves a systematic classical sequence that builds technical skill.
• Clear focus on plate copying and casts gives practical exercises for proportion and shading development.
• Complements other classical courses like Bargue and Julien for a broader foundation.

Cons

• Material is narrowly classical in scope and may feel rigid to artists seeking modern or experimental instruction.

Specifications

Our Verdict

The restored Modeles Classiques edition by Josephine Ducollet is a focused, historically grounded drawing course that delivers real value to students committed to classical training. Its clear progression from copies and cast studies to live figure work makes it an excellent complement to other atelier texts, and it is especially worthwhile for instructors and learners who want an authentic 19th-century French curriculum preserved for modern practice.

Frequently Asked Questions

Does this edition follow a step-by-step teaching order?
Yes. The restored course follows the traditional French sequence: plates, copying Old Masters, casts and busts, then live model drawing.

Is this suitable for beginners?
It is suitable for beginners who are committed to disciplined practice, though total beginners should be prepared for a structured, classical approach rather than casual lessons.

How does this compare to other classical courses?
It complements well-known courses like Bargue and Julien by offering a less common French curriculum that emphasizes the same observational and draftsmanship fundamentals.