Everything Sucks And I Hate Everyone: The Complete Guide to Script

In this review of Everything Sucks And I Hate Everyone: The Complete Guide to Script Coordinating (For Drama), the author aims the book squarely at working television drama script coordinators and those training to become one. The bottom line: this is a practical, often wry field guide that walks through the real day-to-day tasks of coordinating a drama script, and the single biggest reason to buy is its combination of procedural detail and workplace perspective that explains both the Final Draft toolbar and the interpersonal side of dealing with showrunners and production teams.

Key Features

• Step-by-step process: The guide lays out the procedural sequence required to publish a television drama script so readers can follow the job from draft intake to final delivery.
• Showrunner relationship advice: It discusses navigating the relationship with a showrunner, helping coordinators manage expectations and communication on a fast-moving set.
• Final Draft guidance: The book covers the ins and outs of the Final Draft toolbar so readers can handle script formatting and technical tasks with confidence.
• Real-world tone: The author writes with candid humor about long hours and the practical realities of the job, which helps set expectations for newcomers.
• Targeted to drama: The focus on television drama makes the examples and workflow relevant to scripted serials rather than other formats.

Who It's For

Early-career script coordinators and production assistants who want a clear, job-focused manual will find this guide most useful, because it pairs technical instruction with on-the-job context. It is also a handy reference for experienced coordinators who need a concise way to explain their role to others or refresh procedural steps.

Writers looking for a scene-by-scene craft book or readers seeking a broad history of television production should look elsewhere; this title is specifically a practical handbook for coordinating scripts on drama productions, not a general screenwriting primer.

Pros & Cons

Pros

• Direct, practical instructions that make the day-to-day responsibilities of a script coordinator tangible and repeatable.
• Useful Final Draft toolbar coverage that demystifies common formatting tasks coordinators face.
• Honest workplace advice about communicating with showrunners and managing long hours.

Cons

• The book is narrowly focused on drama script coordinating and will feel specialized to readers outside that role.
• It does not replace a comprehensive screenwriting course for those seeking creative craft instruction rather than coordination procedures.

Specifications

Title	Everything Sucks And I Hate Everyone: The Complete Guide to Script Coordinating (For Drama)
Author	Shawn Waugh
Subject	Script coordinating for television drama
Focus	Procedural workflow and showrunner relations
Software guidance	Final Draft toolbar instruction
Intended reader	New and veteran script coordinators

Our Verdict

Everything Sucks And I Hate Everyone is a focused, practical manual that delivers strong value for anyone working as or training to be a drama script coordinator. Its combination of technical guidance on Final Draft and frank workplace advice makes it a useful reference on set; buy it if you need procedural clarity and realistic expectations for the role.

Frequently Asked Questions

Is this book suitable for beginners?
Yes. It is written to guide new coordinators through the step-by-step process of publishing a drama script while also offering context for on-set interactions.

Does it teach script formatting?
It includes specific coverage of the Final Draft toolbar and common formatting tasks that coordinators will perform.

Is this a screenwriting craft book?
No. The focus is on coordinating and production workflow rather than writing technique or story craft.