From New York City to Addis Ababa: The Best of Mulatu Astatke
From New York City to Addis Ababa: The Best of Mulatu Astatke
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Our review of From New York City to Addis Ababa: The Best of Mulatu Astatke finds it essential for listeners who want a clear, focused introduction to the creator of Ethio jazz. Compiled from Mulatu Astatke's landmark '60s and '70s recordings and presented by Strut, this collection is the single best entry point for newcomers and a welcome consolidation for longtime fans, delivering the breadth of his arranging, vibraphone work and cross-continental vision in one place.
Key Features
- Curated career retrospective: Presents key tracks from Mulatu Astatke's 1960s and 1970s recordings so listeners can trace the development of Ethio jazz in one compilation.
- Historical context: Brings together recordings that highlight Astatke's role as a vibraphone and keyboard player and master arranger, clarifying his influence on modern Ethiopian music.
- High-quality transfer: Strut's presentation aims to preserve the original performances and arrangements, providing a listening experience faithful to the source tapes.
- Accessible entry point: Functions as an approachable primer for new audiences who discovered Astatke through the Ethiopiques series or film soundtracks.
- Cross-generational appeal: Emphasizes the timeless blend of jazz, funk and Ethiopian modes that resonates with both vintage and contemporary listeners.
Who It's For
This compilation is ideal for music fans who want a structured overview of Mulatu Astatke's most influential period, especially those curious about the origins of Ethio jazz or exploring international jazz forms. It suits vinyl and CD collectors who value a well-curated career retrospective from a single label.
Listeners seeking exhaustive sessionography, alternate takes, or very deep archival liner notes may want a specialized box set or original LP reissues; this release focuses on a definitive listening sequence rather than exhaustive archival completeness.
Pros & Cons
Pros
- Consolidates landmark recordings into a clear, listenable sequence that highlights Astatke's arranging and vibraphone work.
- Offers a natural introduction to Mulatu Astatke for newcomers who learned of him through later compilations or film soundtracks.
- Produced by Strut, it benefits from a curatorial approach that emphasizes historical significance and flow.
Cons
- Not a comprehensive archival box; collectors seeking every session or alternate take will find it selective rather than exhaustive.
Specifications
| Artist | Mulatu Astatke |
| Title | From New York City to Addis Ababa: The Best of Mulatu Astatke |
| Label | Strut |
| Period covered | 1960s and 1970s recordings |
| Style | Ethio jazz, jazz, funk influences |
| Includes collaboration note | Context related to later work with The Heliocentrics in 2018 |
Our Verdict
This Strut compilation is an excellent value for anyone seeking a focused, musically satisfying overview of Mulatu Astatke's formative work. It is the right purchase for newcomers and casual collectors who want the essence of Ethio jazz distilled into a single, well-sequenced release, though specialist archivists may prefer more exhaustive releases.
Frequently Asked Questions
Does this collection cover Mulatu Astatke's early career?
Yes. It collects landmark recordings from his 1960s and 1970s period to showcase his early development of Ethio jazz.
Is this a comprehensive box set with alternate takes?
No. This release is a curated retrospective rather than a full archival box set with alternate takes or complete session material.
Who produced this compilation?
It was presented by Strut, which assembled the career-spanning selection and sequencing.
Editor's Take
This Strut compilation offers a focused, well-sequenced overview of Mulatu Astatke's landmark 1960s and 1970s work, making it the ideal entry point for newcomers and a satisfying consolidation for casual collectors.

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