Making Music with Sounds - Creative Introduction for Young Composers
Making Music with Sounds - Creative Introduction for Young Composers
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In this review of Making Music with Sounds the bottom line is straightforward: it is a focused, accessible introduction to sound-based composition aimed primarily at 11-14 year old students who are new to sonic arts. The book's single biggest reason to buy is its clear, activity-led approach that demystifies sound organisation and encourages practical creativity in a classroom or home setting. As a reviewer, one notes that it avoids heavy theory and instead gives teachers and learners concrete ways to explore sound as the primary musical material.
Key Features
- Age-focused activities: Practical exercises are written to engage school age children, making abstract ideas approachable through hands-on work.
- Sound-based emphasis: The book defines and centers sound rather than musical notes, helping readers understand electronic and sonic arts contexts.
- Cross-disciplinary relevance: Examples show how sound organisation applies to film, theatre, dance and new media, broadening creative possibilities.
- Teacher-friendly format: Activities and explanations are laid out so educators can introduce the subject without needing specialised equipment or advanced theory knowledge.
- Accessible for beginners: The text suits people of all ages discovering sound-based music for the first time, not just school pupils.
Who It's For
Making Music with Sounds is best for teachers of lower secondary music classes, classroom practitioners who want structured activities, and parents seeking guided creative projects for 11-14 year olds. The book suits beginners who want a practical, example-led entry into sound composition rather than deep academic analysis.
It is less suitable for advanced students or professional composers who need technical manuals on electronic production techniques or detailed notation systems. Those seeking highly technical electronic music tutorials should look for specialist texts devoted to hardware and software workflows.
Pros & Cons
Pros
- Clear activities make the concept of sound-based composition tangible for young learners.
- Frames sound organisation in familiar contexts like film and theatre, helping learners see real-world uses.
- Teacher-friendly presentation enables classroom adoption without specialist training.
Cons
- The material is introductory and does not replace advanced technical guides for electronic music production.
Specifications
| Title | Making Music with Sounds |
| Author/Brand | Leigh Landy |
| Target age group | 11-14 year old students (school age children) |
| Focus | Sound-based music and sound organisation |
| Use cases | Classroom activities, beginner introduction, cross-disciplinary arts |
| Audience | Beginners and people new to sound-based music |
Our Verdict
Making Music with Sounds is a practical, well-structured introduction that does exactly what it promises: it helps young learners and beginners discover sound-based composition through activities and clear explanations. For teachers and newcomers seeking creative, classroom-ready material it offers very good value; those needing technical electronic production depth should supplement it with specialist resources.
Frequently Asked Questions
Is this book suitable for classroom use?
Yes. The activities and explanations are designed for school age children and are straightforward for teachers to implement.
Does it require specialised equipment?
No. The book focuses on sound organisation and creative activities that can be adapted to common classroom materials and simple electronic tools.
Is it only for 11-14 year olds?
While primarily aimed at 11-14 year olds, the book can be used by people of all ages new to sound-based music.
Editor's Take
Making Music with Sounds is a practical, classroom-friendly introduction to sound-based composition that helps 11-14 year olds and beginners explore sonic arts through activity-led lessons; advanced technical depth is limited.

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