Netflix and the Re-invention of Television - Critical
Netflix and the Re-invention of Television - Critical
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In this review Mareike Jenner's Netflix and the Re-invention of Television is assessed as a focused academic study for readers who want a clear account of how one platform reshaped TV practice and institutions. The book's single biggest reason to buy is its detailed tracing of Netflix's role in what the author frames as TV IV, offering a sustained argument about binge-watching, control technologies and the platform's transnational reach. This review highlights who will get the most from the book and what makes Jenner's analysis a useful reference for media scholars and interested professionals.
Key Features
- Historical context: The book places Netflix within a pre-history of streaming and television change, giving readers a sense of continuity rather than treating it as an isolated phenomenon.
- Binge-watching analysis: Jenner shows how binge-watching functions as both a marketing and organisational strategy that reconfigures audience control and scheduling.
- Institutional critique: The study examines how Netflix challenges existing television institutions, making it useful for readers curious about industry power shifts.
- Ancillary technologies: By discussing remote controls and other technologies, the book links material devices to broader changes in viewer agency and platform practices.
- Transnational perspective: The author evaluates Netflix as a transnational broadcaster, helpful for understanding global circulation and local reception of content.
Who It's For
This book is best for media scholars, graduate students and industry analysts who want a concise, evidence-driven account of Netflix's influence on contemporary television systems. It works well as a course reading for communications and media studies modules that cover platforms, audience behaviour and institutional change.
Those seeking a how-to guide for streaming services, a comprehensive corporate history focused on business strategy or an introduction for casual readers may find the tone and scope too academic; the book is aimed at readers willing to engage with theoretical and historical argumentation.
Pros & Cons
Pros
- The focused historical framing clarifies Netflix's place in ongoing TV transformations.
- Clear treatment of binge-watching links consumer behaviour to platform marketing and organisation.
- The transnational angle broadens the discussion beyond a single national market.
Cons
- The academic approach may feel dense for general readers looking for light background or practical industry tips.
Specifications
| Title | Netflix and the Re-invention of Television |
| Author | Mareike Jenner |
| Subject | Television studies, media and communication |
| Focus areas | Binge-watching, institutional change, transnational broadcasting |
| Approach | Historical and analytical study |
| Intended audience | Scholars, students, media professionals |
Our Verdict
Mareike Jenner's study is a worthwhile purchase for readers who want a rigorous, historically informed account of how Netflix has reshaped television practice and institutions. It delivers clear analysis on binge-watching, control technologies and transnational broadcasting, making it good value for students and researchers seeking a structured overview rather than casual reading.
Frequently Asked Questions
Does this book explain binge-watching?
Yes, it examines binge-watching as both a marketing and organisational strategy central to Netflix's model.
Is the book suitable for undergraduate courses?
It is suitable as recommended reading in communications and media studies courses, especially at higher undergraduate or graduate level.
Does the author discuss global impact?
Yes, Jenner treats Netflix as a transnational broadcaster and addresses its international circulation and effects.
Editor's Take
Mareike Jenner's study is a rigorous, historically informed account of Netflix's influence on television, valuable for students and researchers who want clear analysis of binge-watching, control technologies and transnational broadcasting.

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