The Oxford English Literary History Volume 12: 1960-2000
The Oxford English Literary History Volume 12: 1960-2000
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In this review of The Oxford English Literary History: Volume 12: 1960-2000, the reviewer aims to identify who will get the most from this scholarly volume and why it matters. This book is for readers who want a disciplined, contextual account of late 20th-century British literature: students, researchers, and serious general readers seeking a single-volume critical narrative of major shifts from the 1960s through 2000. The single biggest reason to buy is its authoritative, long-view synthesis that situates authors, movements, and cultural change in a readable critical frame.
Key Features
- Definitive historical sweep: The volume offers a coherent narrative of British literary developments between 1960 and 2000, helping readers track long-term changes across decades.
- Scholarly perspective: Written as part of a major series, the book reflects the considered judgment of a leading scholar and clarifies complex debates for readers.
- Contextual focus: It connects authors and texts to cultural traditions, events, and ideas, making it useful for anyone studying literature in its historical moment.
- Accessible synthesis: Although scholarly, the chapter structure and critical summaries make it usable by attentive non-specialists as a single reference work.
- Series continuity: As one volume in a broader Oxford English Literary History, it complements other periods and encourages comparative reading across centuries.
Who It's For
This volume is well suited to upper-level undergraduates, postgraduate researchers, and lecturers in English literature who need a dependable, period-wide account of late 20th-century British writing. It also benefits serious general readers who want one sustained critical view rather than many fragmented articles.
Readers looking for a compact anthology of primary texts, a beginner's primer without scholarly depth, or a rapidly updated survey of very recent scholarship should look elsewhere; this book is a considered historical study rather than a short introduction or textbook of primary selections.
Pros & Cons
Pros
- Authoritative narrative that clarifies large-scale literary shifts across four decades.
- Useful contextualization linking literature to cultural events and ideas for research and teaching.
- Accessible prose for a scholarly work, making it approachable to non-specialist readers.
Cons
- Not a source of primary texts or exhaustive bibliographies for every topic covered, so supplementary readings are required.
Specifications
| Title | The Oxford English Literary History: Volume 12: 1960-2000 |
| Editor / Author | Randall Stevenson |
| Series | The Oxford English Literary History |
| Period covered | 1960-2000 |
| Focus | British literature, cultural and historical context |
| Audience | Students, researchers, serious readers |
Our Verdict
The Oxford English Literary History Volume 12 is a valuable investment for those who need a clear, historically grounded synthesis of late 20th-century British writing. It offers rigorous contextual analysis and readable scholarship, making it good value for students and researchers who want a single-volume critical guide rather than a primer or anthology.
Frequently Asked Questions
Does this volume cover both fiction and poetry?
The volume surveys a range of genres within British literature of 1960-2000, situating fiction, poetry, and critical trends in their cultural context.
Is this book suitable for undergraduate study?
Yes; it is particularly useful for upper-level undergraduates and postgraduates as a period-wide critical account to support coursework and research.
Will I find primary texts or full bibliographies here?
The book provides critical discussion and references but is not a primary-text anthology; readers will need supplementary editions for full texts.
Editor's Take
A clear, historically grounded synthesis of British literature from 1960 to 2000, ideal for students and researchers who need a single-volume critical guide rather than an anthology.

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